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ey do not actually hear every word.They also fail to understand that they integrate their knowledge about language with their experience and knowledge of such things as topic and culture, and do not need to hear to hear every word. This means that learners Often have unrealistic expectations and try to understand each word Of a listening text. As some experts point 0ut，“such total comprehension…is a misconception 0f how normal comprehension works in the native language.” Learners’anxiety may get worse when a classroom procedure does not provide adequate context for the text Or prepare the topic by activating their prior knowledge;in Other words，a procedure which asks students to“Listen to the text and then answer the questions.” This tests listening ability rather than aiming to teach it.Adults returning to English language learning whose earlier experiences have been of this nature may have developed negatlve perceptions 0f their ability as 1isteners and a maior task for the teacher will be to build confidence. This means recognizing anxiety and a major tasking care to provide positive classroom experiences.For example，the teacher needs to make sure that the pace and length of a 1istening activity is not too taxing as the concentration required in trying to cornprehend unfamliliar sounds can be tiring.
21.When they comprehend their native language by 1istening，many language learners tend to think that they_____
A.need to hear every word
B.have linguistic knowledge
C.know the culture very well
D.have some existing experience
22.According to the passage,foreign language learning depends very much upon_____.
A.native lauguage competence
B.ability to concentrate
C.experience and knowledge
D.personal preference
23.This passage is mainly about _______.
A.writing
B.speaking
C.reading
D.1istening
24.The language teacher should _______.
A.develop negative perceptions Of students’ability
B.activate the prior knowledge students have
C.refer t0 the past experience 0f adult 1earners
D.help students understand their native 1anguage first
25.The word “taxing” in the last sentence probably means
A.costly
B.demanding
C.anxious
D.interesting
A.showloglog-id97
B.showloglog-id98
C.showloglog-id99
D.showloglog-id100
A.of, that
B.with, which
C.of, who
D.with, who
NEW YORK (Variety)--Eight years after his death, prolific science-fiction author Isaac Asimov has suddenly arrived as a hot Hollywood commodity, with screen deals for his novels and short stories landing all over town. A deal dosed late last week at Warner Bros to adapt the Asimov short story "The Ugly Little Boy" into a film. The picture will be produced by Denise DiNovi and Demi Moore as a starting vehicle for Moore. In other recent deals, Fox has optioned Asimov’s most popular novel series, "Foundation," for Shekhar Kaput ("Elizabeth") to direct; Paramount is working on turning "End of Eternity" into a film that Ridley Scott ("Gladiator") will likely direct from a script. by "Total Recall" co-writer Gary Goldman; and Sony Pictures Family Entertainment is developing into an animated film series "Norby, the Mixed Up Robot," a series of 10 children’s novels that Asimov wrote with his wife Janet, who’ll act as creative consultant. Most of the deals will be worth seven-figure paydays if the films get made. Asimov wrote more than 460 works in either book or short-story form. While he wrote some nonfiction and mysteries, his speciality was sci-fi, with futuristic stories that were alien-free and high on pro-humanistic themes. His work has influenced many prominent sci-fi filmmakers, but Asimov action had been sparse. The most recent adaptation was the Robin Williams picture "Bicentennial Man." Part of the reason was that Asimov’s sole passion was his books and his family. He was hardly pushy(进取心的) about getting his works adapted, known to grant film options for as little as $50. The catalyst for the surge in screen activity is that Asimov’s estate is now represented by Crested By, a partnership created 1- 1/2 years ago by Vince Gerardis and Ralph Vicinanza, who currently handle the screen rights of about 200 major sci-fi, fantasy and horror authors.
1.Paragraph 3 mainly talks about____.
A、the agreements between Asimov’s wife and the Hollywood producers
B、the films that will be shot on Asimov’s works
C、the producers that will shoot the films
D、the works flint will be adapted into films
2.Who encouraged the gush(涌出) in filmmaking？____
A、A partner author of Asimov.
B、A company started by.
C、A corporation set up by Wince Gerardis and Ralph Vicinanza.
D、A firm managed by wife.
3.What’s Asimov’s attitude to the adaptation of his works into films？____
A、He was ardent about the adaptation.
B、He was indifferent to the adaptations.
C、He disagreed to the adaptations.
D、He was not interested in the adaptation at all.
4.Asimov mainly wrote____.
A、science fiction
B、mystery
C、short story
D、nonfiction
5.What is the article mainly about？____
A、Asimov and American show business.
B、Asimov and Hollywood filmmakers.
C、Asimov and his works.
D、The popularity of Ashuov’s works.
B、The Labor Party
C、The Republican Party
D、The Liberal Democrats
(6)
A．Information technology system can cause operational risk.
B．A major fire can be a cause of operational risk.
C．The most important types of operational risk involve breakdowns in internal controls and corporate governance.
D．Other aspects of operational risk include firing its dealers, lending officers or other staff exceeding their authority or conducting business in an unethical or risky manner.
此题为判断题(对，错)。
